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Abstract

Shirley Jackson's We Have Always Lived in The Castle follows Merricat and Constance Blackwood, wealthy sisters who have poisoned and murdered a majority of their family members and live an isolated, independent lifestyle in their family mansion. Once ruled by their family's patriarchal control and obsession with wealth, their house transforms into a space where domestic rituals such as cooking, cleaning, and preserving food become sources of independence and empowerment. Throughout the novel, patriarchal forces attempt to reassert control through the villagers, who ridicule the sisters for their defiance of social norms, and through their cousin Charles, whose intrusion mirrors the greed and dominance of their father. Both the villagers’ hostility and Charles’s fixation on wealth highlight the tension between patriarchal authority and the sisters’ radical domesticity. The sisters’ choice to live in isolation, however, resists these pressures. Constance reclaims domestic labor as a tool of preservation and protection, while Merricat safeguards their sanctuary through ritual and, ultimately, by setting the fire that destroys the male-dominated spaces within the house. Rather than imprisoning them, the mansion becomes a sanctuary for the sisters that rejects patriarchal structures and ideals. Ultimately, Jackson redefines the domestic sphere as a site of rebellion rather than repression. The Blackwood sisters achieve agency through seclusion, self-sufficiency, and refusal to conform to patriarchal expectations, and the closely secured remains of their mansion stands as a representation of their private world structured on feminine control and resistance.

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